Monday, April 23, 2007

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TRUE STORIES ON JOURNALISM


"It why I invite you all to give as a great poet of our Americas, Luis Cardoza y Aragón, defined as the only concrete evidence of human existence: poetry. Thank you very much ": Gabriel García Márquez .

Camilo Argüello Benítez

Riszard
When Kapuscinski was invited by García Márquez in Cartagena, faced with a group of American journalists, talk about the art of telling stories and facts, Kapuscinski told, many years later that 'Gabo' asked: "Teacher, which is the key to writing right? "And he said maybe something liquid glow in his eyes:" read and write poetry. " I guess that `

Gabo 'did not hesitate a second to offer the toast of his triumph in 1982, poetry, the secret potion that reach the Muses and open access to thousands of glory that will one day left front public saw 33 years earlier, whom he considered his main literary trainer, William Faulkner.

In the years that have passed since the great generation of writers who migrated to the newsroom to humanize the profession and the readers, ie the Colombians, still not lost, though yes down - the habit of emptying bottles into glasses and glasses in throats, while recalling experiences as a reporter and discussed or bufonea on the words and acts of political representatives of the moment or the past.

Today, reporters lined the road to the routine of a profession, but not like, serves as entertainment in television and radio, basically. In fact, violence in the country during the fifties was not only fire, closure of newspapers like El Tiempo and El Espectador, the atrocities done by the conservative population, the imprisonment of several opposition leaders, the killing and the shooting of hundreds of farmers and the liberal emergence of the first antigobernistas guerrillas, but the formation of great writers like Garcia Marquez, Felipe Gonzalez Toledo, Eduardo Zalamea Borda, Alvaro Pachon de la Torre, Guillermo Cano, Hernando Téllez, Antonio Pardo García, Pliny, Apuleius, Germain Santamaría, Ximénez, Álvaro Cepeda Samudio, Marco Tulio Rodriguez and of course, Germain Pinzón.


Days sacrificed the world press for the construction of a credible and coherent paragraph, for a verse, to travel to the scene regardless of budget, as a means of knowledge, political position and literary entertainment . Tomorrow or next week, do not know how many letters and corrections will come in newspapers, nor paragraphs deleted by the lack of space for an advertisement. Kapuscinski

considered writing one page could not be read without first hundred pages or maybe I would say, daring himself to write without fear of being judged and rejected. I'll bet you have fun writing after research and learn how to do, understand that the goal is to break the mold after meeting, as the poet said Erza Paund U.S..


OFFICE OF THE HARD TRUTH

Many journalists feel upset to hear which journalism is a profession but a trade, but true: the journalist is an artist because, as poets and writers, their only weapon is language, the word, the same that we all-especially love.

If you have the courage and patience to make the story of what happens daily, relate, give integrity, strength and life (those that counted), the item will be more real, yes "the greater the skill you have to work and knowledge put into it. "

All this I learned from master Ernest Hemingway in a story he made during his fantastic life as a journalist and sailor adrift in the Gulf of Mexico. On one such trip he lived the experience he had with a young person interested in being a writer, a passionate soul who dedicated himself to play the violin, so the master told him and led him to Cuba by boat, fluting the ocean.

At the door of his home in Key West, said the boy had gone begging for a seat in the cars on the road from Minnesota, in order to ask some questions about literature. The "practitioner" insisted on their interests and thus got a seat on the boat.

Practically, the young man before to be a writer, if he did, was a journalist in the same way that Columbus was able to be conqueror of America, without realizing it.

Thus, Hemingway, rather than speaking of literature, as if by magic, touched journalism and advised: "When people talk, listen carefully. Do not think about what you are going to say because most of them do not listen and reflect. You must be able to record with accuracy in mind, all that has been in a room after having left it, if the room has caused excitement must know what has been the cause. When it is in the city, move to the theater and watch people distinguish on how to stop a taxi or private car. There are countless ways to exercise. And think continuously in others. "

This separate compilation taken from his journalistic "Special Envoy" (1968), supplemented by other texts, such as using "Literary journalists or the art of personal story" written by Norman Sims in the prologue explains that "the characters literary journalism should be given life on paper, exactly as in the novels, but his feelings and dramatic moments have a special power because they know that their stories are true. "

In a talk attended by columnists of The Time Maria Jimena Restrepo Duzán and the Headquarters auditorium burst Bolivar, almost two years ago, Restrepo said he was concerned about the lack of journalism and journalism, like good doctors gave the formula without hesitation, as if that saved his sleeve As long ago: The return to chronic to the thrifty and exciting task of telling stories that are built every day and, like art, always occur. The other key

also gave Hemingway to say that when it tells something that just happened timeliness makes listeners perceive with the mind, that journalists should put all their energies to tell when an event to which the reader has no obligation to understand or pass easily distracted by the graphics of the journal. Make

journalism is not easy. It is one of the most difficult professions there yet, it is believed that this race is a "escampadreo" for those who walked, or walk-swing in high school, but the fault is not theirs: to watch television, listen the radio and read the press today, we lose the journalist's job, to glimpse the eternal values \u200b\u200bthat are involved in social and political drama of his time and place.

Albert Camus, French writer and journalist, explained much better and in his speech after receiving the Nobel Prize for Literature admitted that "truth is mysterious, elusive, and always try to conquer. Freedom is dangerous, so hard to live as uplifting. We must move towards the two, painfully but resolutely, disregarding our weaknesses advance over such a long way ", that of journalism.

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